Sadness

Me. Sad. Ded. Enmore Park, Enmore (Sydney), 2012.

Here is a graphic story published just recently in chalk on asphalt. I came across it one evening this week in Enmore Park outside the aquatic centre there.

The story is intense and personal. But who could have drawn it, and why here? At my place, our interpretation of the story has evolved the more we examine and discuss the words and pictures. I wonder what blog readers make of it.

Enmore Park, between the aquatic centre and the children’s playground, Enmore (Sydney), 2012.

Expletive deleted

Cadigal Reserve, Summer Hill

The signs, symbols and graffiti on the ground are all evidence of a territorial battle that is being waged among government authorities, property owners, motorists, cyclists and pedestrians. Now the stencils themselves are getting in on the act. It is clear that this walker has cracked up and has said something sharp to the bicycle. But a zealous graffiti obliterator has painted over his speech balloon and now we’ll never know what it was he said.

These particular stencils are on a pathway in Cadigal Reserve in Summer Hill. The pathway continues along beside Hawthorne Canal, which eventually runs into an arm of Parramatta River. 

The canal has a history of successive waves of pollution. Originally a stream called Long Cove Creek by early European settlers in Sydney, by the late 1800s it was fouled with house slops and the run-off from factories and slaughterhouses. The stink that it gave off was considered to be a health hazard and eventually it was excavated, re-aligned and lined with concrete in 1895 and renamed Hawthorne Canal.

But over the years the stormwater it collects has still been polluted with leaking sewage and dirt, horse manure, oil, chemicals, plastics, heavy metals and garbage washed off the roads and nearby rubbish dumps. And then, some time in 1990s, the canal was subjected to what some people regard as visual pollution – graffiti.

Hawthorne Canal, Summer Hill

Taggers and graffiti artists continue to express themselves on the walls and under the bridges there. Their marks have spread to the pathway beside the canal. Government authorities and a bush regeneration group have done much to improve the banks of the canal in recent years, so it is understandable that they might want to remove ‘unsightly’ graffiti from the asphalt. They can’t win though. More pavement graffiti has appeared since the last applications of grey paint. But I wish I had been there before they covered up that pedestrian’s outburst.

(Some of the information for this post was obtained from Hawthorne Canal – the history of Long Cove Creek, written by Mark Sabolch and published by the Ashfield & District Historical Society in association with the Inner West Environmental Group in 2006)

The beating heart of a city

A short visit to Geneva reminded me that however high its standard of living, however conservative its ruling majority, however picturesque its heritage sites, and however manicured its parks, a city – being a place of people – inevitably has its scruffy side.  Nor does graffiti occur only in the scruffy parts. Graffiti (including pavement graffiti) can undermine the intended mood of any place.

The International Monument to the Reformation is located in one of those manicured parks in the grounds of the University of Geneva. Unveiled in 1909, its statues and inscriptions honour the people and events of the 16th century Protestant Reformation, in which Switzerland had a central role. The central group of statues depicts Calvinism’s main proponents, William Farel, John Calvin, Theodore Beza and John Knox. And there, on the decorative paving at the foot of the wall I found two desperately heartfelt pieces of graffiti painted by Raf, who loves Romane F-K more than anyone.

Fell in love with a girl today

Camperdown Park, in inner western Sydney, is famous for the graffiti on the sandstone walls separating it from the St Stephens Church Cemetery. I have a book published in 1975 (Ellis & Turner, Australian Graffiti) with a black and white photo of graffiti messages in large lettering on this wall like ‘Love is a many gendered thing’ and ‘Is there life after marriage?’

These days the political and often witty statements have been joined by more up-to-date styles of graffiti like ‘balloon’ lettering and stencils. The graffiti has also crept onto the paths in the park. It soon gets obliterated by pedestrians and cyclists, but three years ago I happened to capture the faint remnants of this one, which seems to have been written by a person who was either very happy, or needed to make a statement, or both.

Clapham Common (Guest spot)

Today’s guest spotter is Bradley L. Garrett, a PhD student at Royal Holloway, University of London, where he is studying Urban Exploration. Bradley’s own blog is here.

I have lived in Clapham, in South London, just across the street from Clapham Common (a huge park) for about eight months now and six months ago I bought a bicycle. This was a significant event because it meant that I no longer took the bus to Clapham Junction train station, I now rode my bike through the park every day instead in what I thought to be a small victory over mundanity.

The first time I encountered the little freehand graffiti penis was on one such ride. I was listening to an audio lecture by Arnold Weinstein about Baudelaire’s poem The Swan and here comes this phallus, standing erect in the road like a raucous troll, exacting some sort of fare I was sure. But how to pay it? Figuring all it wanted was some attention I photographed it and moved on.

For six months now I have encountered this masculine assemblage, swerving around it at the last second, sure that, like some form of voodoo charm, it would hurt somebody if I ran over it. Sometimes I would remember it before my encounter, anxious to see if it finally had aroused enough offence in the community to have it painted over. Every once and a while I would stop next to it, seemingly not of my own accord, and stare around, wondering what sort of thought or action it was meant to invoke, feeling like someone was watching and noting my confusion with pleasure. One biker stops, check.

It’s almost mathematical in is perfect pointedness. Even the fact that one testicle hangs slightly lower than the other seems to me to be anatomically correct. Thinking that after months of study, I had now understood its form, my analysis of the thing moved on to function more seriously. The phallus points straight down the asphalt path. My first inclination was, of course, to assume that it points the way to something. Perhaps it was the remnant of a petty birthday party joke, a Facebook tagline proclaiming “when you arrive in Clapham Common, follow the penis to Dave’s party.” Later, I began to wonder if the trajectory of the penis was subsidiary to its location. Could it be a meeting point of some sort?

This notion seemed to be reinforced by my mate Mike over drinks one night who proclaimed Clapham Common as a place where gay men go to “get bummed” which in America (where I come from) means to be depressed but here is some euphemism for anal sex. Could it be that this innocuous little sign I swerved around everyday was a meeting point for clandestine homosexual encounters at night? Perhaps one day, I thought to myself, I would conduct a 24-hour stakeout to satisfy my need to unravel this mystery.

Finally last week, wrapped up in sweaters, scarves and gloves, in some strange sociological crisis, I did indeed undertake such a weird experiment. What happened was this: just across from the white penile package, there is a park bench which, if you were to sit on it, positions you perfectly to observe the sign (or encounters with the sign). I sat there on a lazy Sunday, pretending to read a book so that I could view interaction with it. And what I saw disturbed me.

Time after time, whether confronted by pram pushing Mommies, solitary walkers or ambitious runners, no one noticed the phallus. They rolled over it, stepped on it and ran past it without even a glance. Thinking that maybe I had, in some sick vision, just imagined the damn thing, I walked over to it. Still there. And then what I saw gave me the shivers.

A second phallus, just up and to the left, barely visible, but there. Even worse, it was a different colour and facing a different direction! How could I have missed this before? Horribly disturbed by the new revelation, I walked home, sullen, curious as to what kind of ghastly person would sketch a pair of horrors like this, knowing the frustration their presence would invoke.

[Now that Bradley has pointed out this parkland penis in London, the Pavement Graffiti blog site will return to the subject of street wangs from time to time]

Lu Xun Park (Guest spot)

Today’s guest spotter is Jeff Stewart – author, artist and sometime bread-seller at his local Sunday market

DSCN1451 JS outlineI love Lu Xun Park. It’s in Hongkou, Shanghai, and is my most favourite place on earth at the moment. Everything happens here – there is dance, tai chi, singing, talking, and sitting. Lovely, to me, and I can’t even speak Chinese.

People also write on the footpath there in water or chalk. They often write poetry, advertise their calligraphy skills, or quote common Chinese sayings. In the first photograph the man is writing characters in outline, which is very difficult.

writing JS colourblurSometimes migrant workers write their story on the ground asking for help. They come to the city from rural areas and often have trouble finding work. The second photograph was taken after rain had blurred a woman’s story about her current living situation.

Jeff’s  photograph of a man writing on the pavement in water accompanies his journal entry Translating Lu Xun Park on the  Kai Xin (Happy Heart)website