Sgraffito

(Pedant alert – Vocabulary lesson ahead)

I noticed an article in the Sydney Morning Herald last week where the word ‘sgraffito’ was used – correctly – to describe ornate plaster work that has been uncovered during the restoration of Glebe Town Hall in Sydney: Peeling back the layers to reveal Glebe’s true history. Sgraffito is a centuries-old decorative technique used on ceramics and plaster walls. Apparently when Glebe Town Hall was built 130 years ago, artisans used this technique to carve a pattern in still-wet white plaster to selectively reveal the pink plaster below.

 

City of Sydney’s architecture design manager, Chris McBride, with the examples of sgraffito discovered at Glebe Town Hall. Photo: Ben Rushton (Sydney Morning Herald, 18 July 2012).

The word sgraffito (plural sgraffiti) comes from the Italian word graffiare, meaning ‘to cut or scratch in stone’. It seems to have been used in the English language in the 18th century to describe incised pottery, but by the 19th century the word graffito (plural graffiti) was being used to mean the kind of casual wall writing that had survived at archaeological sites in Italy (including Pompeii), Egypt and Syria, for example, or on churches and other public buildings in Europe from the Middle Ages.

Graffito/graffiti was not used in the English language to refer to contemporary inscriptions until later in the 19th century, but even so, in this sense it remained an infrequently-used term until the mid-20th century. Scholarly interest in the writing on toilet walls seems to have popularised the term in the 1960s and 1970s.

For my own project I have been trawling the digitised newspapers on the marvellous website Trove, looking for early examples of pavement graffiti in Australia. I have found plenty, but not by searching with the term ‘graffiti’. I had to use search terms like ‘pavement writing’ or ‘footpath writing’. Until the 1960s the word ‘graffiti’ does not appear in Australian newspapers except in occasional news items about archaeological discoveries. One of the earliest references to modern graffiti that I found was in a travel article in the Australian Women’s Weekly (!). Journeying through Hungary in 1969 the writer notes that she saw ‘modern graffiti slogans about American aggressors in Vietnam’ on a wall in one village.

By the way, the story goes that when George Lucas made the coming-of-age movie American Graffiti (released in 1973, set in 1962), Universal Pictures objected to the film’s title, not knowing what ‘American graffiti’ meant. Lucas is said to have been dismayed when some executives assumed he was making an Italian movie about feet. Although over 60 alternative titles were suggested, Lucas prevailed with his original choice.

 

‘Scratch the surface’, King Street South, Newtown (Sydney), 2010.

 

References:

David, Bruno, and Meredith Wilson. 2002. Spaces of resistance: graffiti and Indigenous place markings in the early European contact period of northern Australia. In Inscribed Landscapes: Marking and Making Place, edited by B. David and M. Wilson. Honolulu: University of Hawai’i Press.

Fleming, Juliet. 2001. Graffiti and the writing arts of early modern England. Philadelphia: University of Philadelphia Press.

Reisner, Robert. 1971. Graffiti: two thousand years of wall writing. New York: Cowles Book Co., Inc.

‘American Graffiti’, Wikipedia, 23 July 2012.

Tunnels

Piss Alley, Enmore/Newtown (Sydney), 2010

There is light at the end of the tunnel, I’ve rounded the turn, I’m on the final leg, the end is in sight, I’ve entered the home straight. I’ve also just about reached the end of my tether.  But huzzah! There is a definite possibility that I will finish this PhD project. I just have to polish the Pavement Appreciation website for you to have a look at, re-write a few chapters of the thesis, knock the bibliography into shape … well, it might take a couple more months yet, but I’m nearly there.

To celebrate this moment of optimism I am posting some of my pictures of graffiti on the floor of tunnels. I also have a few photos of wonderfully inventive graffiti on tunnel walls, made without the benefit of spray-can or paintbrush, but maybe I’ll save them for another time.

Graffiti Tunnel, Waterloo Station, London, 2010

 

Pedestrian underpass at Petersham Station (Sydney), 2009

 

Cafés

Times change. Demographics alter. Districts evolve. And always there are people who would prefer things to stay as they are.

It doesn’t seem that long since the Newtown shopping strips of King Street and Enmore Road had stores that catered for all sorts of everyday needs – fruit and vegies, butchers, delicatessens, a Coles variety store, a department store with everything from gentlemen’s underwear to lengths of ribbon, a jewellers with wedding and engagement rings, tobacconists, electrical goods, and an army disposals store.

But the Greek bakery and the fish shop and a whole lot of other shops closed down and became cafés. And people complained in writing.

'Cafe quota filled', Enmore Road, 1999

 

The old-style shopping centre has continued its transformation into something that suits whatever the current population of residents and tourists happens to be. Just recently the ‘fish shop’ café and some other coffee shops have closed down. And people are writing to complain about that.

'Can we have another cafe here please. Can't handle another clothes shop', King Street, February 2012

 

Not Newtown

Pennant Hills, NSW, 2008

Pavement graffiti can be found everywhere if you keep an eye out for it. That’s what I always say, but looking back through my archive of photos I wonder if that’s really true. It’s easy for me to find pavement inscriptions because I live in the inner-west of Sydney where feral art and graffiti of all sorts is a common feature of the landscape. I have also travelled in regional New South Wales a fair bit, and have found some great examples on country roads and highways.

But what about the tidy or more conservative suburbs in the wider city? Do I have many photos of pavement graffiti from these places? The answer is No.

I guess there are two main reasons for this. Firstly, although graffiti is drawn on the asphalt acres of suburbia, it is less prolific than in Glebe/Newtown/Darlinghurst. Secondly – dare I admit? – on my daily rounds I stick to the inner city and rarely venture into the ‘burbs.

But here is a small selection of examples to show that submerged stories do erupt on the paved surfaces of the suburbs.

'F--- the pigs', Marsfield, NSW, 2008

And my End-of-year resolution? More walking in unfamiliar parts of Sydney.

'Smile - You are beatiful!', Manly, NSW, 2011

Newtown

 

'I have a dream' Square, King Street, Newtown, 2008

 

A while ago I came across this description:

King Street, Newtown is always more or less busy, but on Saturday night it is seen at its best and brightest.  Fancy a double line, more than a mile long, of brilliantly lighted shops; and “side-walks” so inconveniently crowded that it is often a matter of some difficulty to push one’s way through the throng of people on business and on pleasure bent.

The description seems fairly accurate to me, although it does not mention the vehicles that crawl up and down King Street on a Saturday night while their occupants ogle the crowds on the footpath. But that would be because this passage comes from an article in the June 1889 issue of the Sydney Illustrated News. King Street has been a commercial success for more than 150 years while the demographics of Newtown have ebbed and flowed.

Readers of this blog will have noticed that many of the pavement graffiti examples that I mention were photographed in Newtown. There are two main reasons for this – I live close by; and Newtown is a hub of graffiti activity. In fact, it was small esoteric stencils on the footpaths of Newtown that sparked my interest and prompted me to start my collection of pavement graffiti photographs in 1999.

Stencil publicising The Blair Witch Project movie, King Street, Newtown, 1999

Newtown was incorporated as a municipality in 1862. Cast iron roof-water outlets set into the kerb In King Street still bear the letters NMC, even though Newtown Municipal Council ceased to exist in 1949. These days part of Newtown is included in the City of Sydney, while the remainder falls within the Marrickville local government area.

Roof water outlet to gutter with embossed letters ‘NMC’, King Street, Newtown, 1999

I have discovered that this kind of information and much more is available on the Newtown Project website, which has been created by the City of Sydney Archives and various volunteers to bring together historical information about the Municipality of Newtown. The information ranges from Council Minutes to the history of the street-art group Unmitigated Audacity, whose works included the I Have a Dream mural. There is a self-guided walking tour and plus lots of early photos of Newtown streets, buildings and people – and  contemporary photos as well. Definitely worth a look.

Wilson Street

When I posted a photograph of an embellished ‘bicycle route’ stencil in Little Eveleigh Street , near Wilson Street, back in March 2010, I suggested that the bike rider with a giant penis was not simply a joke but an expression of tension between local residents and the ‘greenies’ who cycle through on the way to and from the city.

It seems I was not wrong. The battle between cyclists and locals has escalated in this neighbourhood. In August 2010 I posted another photo from Wilson Street, this time a verbal blast: Eco-cycle rapists. This week on a walk through Darlington I found another angry notice, still readable even though it has been hashed over:  Attention bike Nazis no entry!

Wilson Street is a long back street stretching from Redfern Station to Newtown Station, and passing through Darlington and MacDonaldtown on the inner-city fringes of Sydney. It has been undergoing change for some years. Its corner shops have become art studios; Sydney University threatens to engulf it as it devours real estate to the north; and along the street’s southern side the former Eveleigh Railway Workshops – which would have provided employment for many residents of the little terrace houses in years gone by – have been turned into a theatre and arts centre. ‘Gentrification’ is the name of the street drama that is being performed here daily.

Whenever I visit Wilson Street it never fails to provide me with material for my pavement graffiti collection. This week, not far from the warning to cyclists, I noticed a worn little stencil in the middle of the road: Save the shark. According to other bloggers it’s been there a few years.

Near the ‘CarriageWorks’ cultural centre, some fairly recent wet concrete scratchings include an Aboriginal flag. In the background of this photo you can see the Skippy Girls painted on the corrugated iron fence.

Elephants on parade

Shared path, College Street at Whitlam Square, Sydney, 2011

 

The relationships between cyclists, motorists and pedestrians are fraught and while some people are pleased with the new cycle lanes and shared pathways being installed by the City of Sydney, others are not. So it’s nice to see that some people have managed to keep their sense of humour.  Congrats  to the anonymous stenciller for this embellishment of a sign on the corner of College and Liverpool Streets, and thanks to the good sports in the Cycling Strategy department at the City of Sydney for drawing it to my attention.

And while pondering the similarities (if any) between an elephant’s thick skin and the wrinkled greyness of the asphalt, I thought I’d dig out a couple more pavement pachyderms from my archives.

Elefant Traks music label, King Street, Newtown, 1999

Asphalt elephant, Queens Parade, Wolllongong, 2003

Feet

I’m sitting in a specialty shoe shop trying on different pairs and moaning about my crook feet. The shoe fitter says that it’s all because of the hard surfaces we walk on and goes on to tell me a slightly garbled story about this tribe of people in Africa who still go everywhere barefoot. I am inclined to think that people who habitually walk barefoot are not confined to Africa but I don’t say so. He’s doing his best to make me comfortable.

It is an annoying irony that I should have a fixation about photographing pavements and the writing on them, and yet I often have trouble walking any distance at all. In fact, when I took photographs of the Olympic marathon line remnants on Sydney Harbour Bridge, I was in a wheelchair. My daughter valiantly pushed me because I didn’t want a recent foot operation to prevent me taking part in the 75th Anniversary
Bridge Walk in 2007.

Wilson Street, Newtown, June 2008

Anyway, today’s photograph is dedicated to two distinct lots of people: those who always walk barefoot, wherever in the world they are; and the workers who maintain our roads and footpaths (and who sometimes have a joke when they are marking potholes that need repairing).

Nabbed on the footpath

Pavement advertising in Sydney has moved on since 1904. In that year bootmaker Joe Gardiner was nabbed by the police for whitewashing advertisements for his shop on the asphalt in Oxford Street near the entrance to Hyde Park. Joe’s fate is recorded in a correspondence file in the City of Sydney archives.

These days the footpath is a billboard, not only for small shops and garage sales, but also for corporations. In recent months NAB (National Australia Bank) has discovered the transgressive frisson of stencilling the pavement. At Sculpture by the Sea in November, advertisements on the Bondi to Tamarama walk made it evident that NAB was a sponsor of the event. On Valentine’s Day in February, city pavements were enlisted in a multiple media campaign announcing that NAB had split up with the other banks (whatever that means). Although these commercially creative works soon faded in the rain, their smeary remains are still visible in some places.

Sculpture by the Sea, Bondi-Tamarama, November 2010. In the background is Lucy Barker's installation 'Sea Cells'.

Defacing the pavement with any kind of marker is still illegal in the City of Sydney but, as I noted in an earlier blog post, perhaps council rangers have given up bothering about graffiti drawn with chalk or quasi-chalk.

Valentine's Day 2011, Newtown Bridge.

 

You can read more about footpath decoration and pavement advertising in two articles I have written:
Hicks, Megan. 2009. Horizontal billboards: The commercialization of the pavement. Continuum: Journal of Media and Cultural Studies 23 (6):765-780.
Hicks, Megan. The decorated footpath. Dictionary of Sydney.

Greetings

Many thanks to friends, colleagues and total strangers who have shown interest and given support throughout the year.

And to those who have cricked necks after taking up a bit of pavement spotting yourselves …

HAPPY CRICKNESS !

King Street, South Newtown